Sing Into My Mouth takes as its
curatorial lead one established by Tacita Dean in her exhibition, An
Aside. Resisting establishing a clear thematic curatorial framework, Dean
embarked on a period of non-linear meanderings, guided by idiosyncratic
interests, chance, association and coincidence to a set of works that make
up the final whole - a process not unlike that used in her own art
production.
Like Dean, Julia Rosa Clark has
followed a series of disparate clues and eccentric threads on her unknown
route to the final proposition. The culmination is a group exhibition of
selected artworks and a free printed booklet - the curator’s anecdotal
writing about the works on view.
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Sing Into My Mouth includes enquiries into the nature
of intimacy, desire, influence, exchange, memory/ false memory, self,
autobiography, interpretation, poetics, contingency, dormancy and
resurrection.
The works take many forms such as loans from collections,
gifts, replicas, proposals, residue and never-seens including selected
works by Bridget Baker, Emma Coleman, Sue Clark, Tom Cullberg, Anja de
Klerk, Barend de Wet, Peter Eastman, Teboho Edkins, Gus Ferguson, Gimberg
& Nerf, Douglas Gimberg, Matthew Hindley, Pieter Hugo, Mandy Lee Jandrell,
John Nankin, Sarah Nankin, Cameron Platter, Andrew Putter, Gregg Smith,
Doreen Southwood, James Webb, Ed Young.
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